SUBSTANCE // WORLD TOUR // 2024

“It still amazes me how enjoyable it is to play the Substance LPs. The contrast between Joy Division and New Order is very apparent but both complement each other very well. My only frustration is not being able to play more of our records each night. I am totally looking forward to the next phase. So, let’s enjoy some Substance and get ready for the future. Lots of love, Hooky.” [PETER HOOK]

PETER HOOK & THE LIGHT have announced a mammoth run of dates for 2024 taking in full tours of Australia and New Zealand, North America and the UK and Ireland. The live dates will see the band play the Substance albums by Joy Division and New Order in full, including a date at the iconic De La Warr Pavilion, Bexhill

Peter Hook first revisited the seminal Joy Division album Unknown Pleasures back in May 2010 for a commemorative charity concert and has followed it each year by performing subsequent albums from the repertoire of his bands, Joy Division and New Order. Peter Hook & The Light have since moved through each of those albums, culminating in the Factory Records Substance compilations, and recently 

Celebrated over four decades of the continuing influence of Joy Division and Ian Curtis with the Joy Division: A Celebration concerts where both of the band’s albums were played in full

In October this year, the band then played the Substance albums at the biggest ever London concert at the 5300 capacity Eventim Apollo

Tickets On Sale Friday 17th November 2023 at 10am

Peter Hook’s dedication to his back catalogue has seen him move through Unknown Pleasures, Closer, Still, Movement, Power Corruption & Lies, Low Life, Brotherhood, Technique and Republic to arrive at the point. Having toured these albums extensively, the band have now amassed over 600 concerts.

Among the many highlights since he reintroduced his early repertoire to a legion of new audiences across the world have been appearances at Benicassim, Primavera Sound, Bestival, Kendal Calling, Victorious and Rebellion, alongside sold out gigs and extensive touring in Europe, North and South America, China, Japan, Australia and New Zealand to great acclaim from fans and critics alike

Following a sell-out run at the Edinburgh Fringe and 7-nights at the Lyric Theatre in London’s West End, comic legend Frank Skinner is back with his critically acclaimed new show ‘30 Years of Dirt’. 

WHAT THE CRITCS ARE SAYING ABOUT ‘30 YEARS OF DIRT’   

“a supernatural sureness of touch...just plain funny in a way that few other comics can touch... supremely fast-witted in his interactions with the crowd…exquisitely vivid in some of his turns of phrase: you can sense Skinner the poetry lover in lines”    

Dominic Maxwell, The Times   

“he’s still got it… a comedy master… a masterclass in crowd work, with Skinner getting spontaneous laughs off every interaction…exquisite one-liners”    

Steve Bennett, Chortle   

“Skinner is never less than beadily alert…you come away happy that after 30 years Frank’s still dishing his dirt, and happier still that he can dish plenty more besides.”   

Brian Logan, The Guardian    

“immaculately constructed…Skinner’s crowdwork is as sharp as ever…he can spool out a yarn every bit as entertainingly as prime-era Billy Connolly.”   

Bruce Dessau, Evening Standard

“Country, the UK, lost its way, seeks life partner/mentor/inspiration. Good sense of humour essential. No timewasters, tedious show-offs or offend-o-trons need apply. HR free zone.”

Standing up so you don't have to take it lying it down anymore, the Pub Landlord is back to make sense of the questions you probably already had the answers to.

You know what they say: There’s no school like the old school, with the dodgy overflowing toilets. 

★★★★★
‘A supremely polished performer’ 
Mail on Sunday

★★★★
‘Wickedly witty Stuff’
The Telegraph

‘Stand up Gold’
The Guardian 

Dave Gorman: Powerpoint To The People

Following two sold out runs Dave Gorman, the man behind Dave TV’s hit show Modern Life Is Goodish as well as Are You Dave Gorman? Announces the final leg of his hit show, Powerpoint To The People including a date at DLWP, Bexhill | Sat 02 Dec |

The 'high priest of the comedy Powerpoint talk' (The Times) is touring again - as much as anything to demonstrate that a powerpoint presentation doesn't have to involve a man in a grey suit standing behind a lectern and saying 'next slide please'. We've all had enough of that, so let's put it all behind us and never speak of it again - there are far more important things to analyse. Well... they're more important in Dave's head anyway.

‘Hugely entertaining’ ★★★★
The Times

‘Gorman creates real magic from the unlikeliest of sources’ ★★★★
The Mail on Sunday

‘Beautifully constructed’ ★★★★
The Arts Desk

‘Exquisitely constructed show from a comic who is at the top of his game’ ★★★★
The Evening Standard

PLEASE NOTE: The Enemy - DLWP, Bexhill will now take place Friday 17 November 2023, all tickets remain valid

In 2007, The Enemy emerged from their working class roots in Coventry to become one of the biggest new bands around. Their debut album We'll Live And Die In These Towns went straight to No.1 and would later be certified Platinum in recognition of over 300,000 sales.

The trio landed another two Top 10 albums, two Top 10 singles, three major awards (from NME, Q and XFM), shows with The Rolling Stones, Sex Pistols, Oasis, The Killers, Kasabian, Bon Jovi, Manic Street Preachers and Stereophonics, and even a special rooftop performance at Wembley Stadium ahead of the FA Cup Final.

Following on from their Sold Out UK tour last year; The Enemy play a special one-off concert at De La Warr Pavilion - Thursday 25 May 2023 | Don't miss out!

+ PARIS BLUE

Paris Blue are a post-punk with a tragic/cinematic sound from Hastings, UK

Soul II Soul return to De La Warr Pavilion after their Sold Out show last year…

Formed in 1988 Soul II Soul and Jazzie B quickly achieved a name in their community in North London. Soul II Soul’s dances had been reflecting what was occurring naturally in London; kids of all races had grown up together and were now raving together. By the mid-1980s the warehouse scene was in full swing, vibrant and underground, removed from the constraints of the mainstream – a natural fit for Soul II Soul’s creativity.

Nothing summed them and their crowd up better than their regular Sunday night spot at the now legendary Africa Centre in London's Covent Garden. The Africa Centre was a game changer for Soul II Soul; for British black music; and for the nation’s youth culture in general. It caught the

attention of Virgin Records, who signed them as an act in 1988, catapulting them into a tornado of success.

There were the resident club nights all over the world; live concert tours; radio and TV appearances; Jazzie had his own show on London's Kiss FM and there was even an Adventures of the Funki Dreds comic book. And, of course, Soul II Soul enjoyed the type of chart success – notably with 'Keep On Movin' and 'Back To Life' – that made them household names all over the world.

To date Soul II Soul have sold over 10 million albums in over 35 territories worldwide and have product on over 200 compilation CDs while Jazzie has accreditation on over 35 million albums in over 100 territories. They’ve performed in over 20 countries, and appeared at some of

the most famous venues in the world including Wembley and New York's Universal Ample Theatre. America embraced Soul II Soul to such a degree, in 1990 they picked up two Grammy's. Jazzie was given the keys to seven cities in the US, including LA and New York, and the NAACP has honoured him. There's even a Soul II Soul day over there.

It’s 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed ‘The New Lennon and McCartney’. Nearly 50 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK’s music scene.

As teenagers on the South London scene, Squeeze – setting out their stall early on by facetiously naming themselves after a poorly-received Velvet Underground album, and at the time also comprised of Jools Holland on keys, Harry Kakouli on bass and Paul Gunn on drums – became a fixture of the burgeoning New Wave movement. When Gilson Lavis replaced Gunn on drums everything seemed to fall into place, and word of mouth soon spread about the band – ironically, it was none other than Velvet Underground man John Cale who caught wind in 1977 and offered to produce their debut EP ‘Packet Of Three’ and much of the ensuing album.

Yet it was second album ‘Cool For Cats’, released in 1979, which cemented their place as one of Britain’s most important young bands. Featuring the classic single ‘Up The Junction’ as well as the title track, it was many listeners’ first introduction to the witty kitchen-sink lyricism and new-wave guitar music that has become the band’s trademark. With albums ‘Argybargy’ and the Elvis Costello-produced ‘East Side Story’, Squeeze even started to make waves across the pond, although in 1980 former Roxy Music and Ace – and future Mike + The Mechanics – man Paul Carrack would replace Jools Holland, going on to lend his unmistakable vocals to the smash hit ‘Tempted’.

In 1982 Squeeze had disbanded. The chemistry between Tilbrook and Difford could not be as easily dismissed however, and the ensuing record they made together in 1984 has become the “lost” Squeeze album for many fans. But the band couldn’t lay dormant for long, as Squeeze reformed the next year for ‘Cosi Fan Tutti Frutti’, along with Holland, Lavis and Keith Wilkinson, Squeeze’s longest serving bass player. Over the next 14 years Difford and Tilbrook remained the only constant element as Squeeze continued to receive critical acclaim, release albums and tour, with the likes of ‘Hourglass’ becoming their biggest ever hit in the USA.

Despite an official Squeeze break-up in 1999, Difford and Tilbrook continued to make music and gig with the same enthusiasm and abandon that they brought to Squeeze’s first EP, either with their own solo projects or with each other. Chris Difford has released three solo albums to date, and toured the country several times with his unique one man show – while Glenn Tilbrook, meanwhile, has also released three solo albums, with 2009’s ‘Pandemonium Ensues’ heralding the debut of his other band The Fluffers and saw him recording with Johnny Depp and Vanessa Paradis. He too has toured relentlessly with The Fluffers, and most recently has recorded an album as “The Co-Operative” with blues veterans 9 Below Zero.

Charitable work also plays a large role in their lives – Tilbrook has also been an active member of the Love Hope Strength Foundation, which sees him join fellow musicians such as founder Mike Peters (The Alarm), going on treks and climbing some of the globe’s greatest landmarks in order to raise money to help treat cancer sufferers throughout the world. Difford meanwhile spends many hours working with recovering addicts and alcoholics in prisons and rehab centers, with musical workshops, performances, and by telling his own inspirational life story. Chris like Glenn has released his own solo work most notably with Francis Dunnery on the much-acclaimed album I didn’t get where I am.

As befits one of the UK’s much-loved acts, there is no end of Squeeze fans currently wearing their influences firmly on their sleeve, whether it be Mark Ronson, Kasabian, Supergrass, Lily Allen, The Feeling or Razorlight. With their fingerprints keenly felt throughout the fabric of popular music, it is only right that these songs, with their evergreen and popular sound, continue to be played and enjoyed live. And so since 2007, a newly reformed Squeeze have been slowly finding time to play a series of gigs and festival dates, preferring to reaffirm their abilities as a band rather than follow some of their peers who have come out in a blaze of publicity, only to be met with disappointment.

The new Squeeze line-up, their most able yet, is completed by Simon Hanson, Stephen Large, Steve Smith, Melvin Duffy, Sean Hurley, and Owen Biddle and has become an instant favourite on the festival circuit, with appearances at V, Oxegen, T in the Park, Womad, Latitude, and Coachella to name a few.

Squeeze’s contribution to music has been noted in 2010 with the site of their first gig being awarded a prestigious PRS For Music Heritage Plaque, which has so far commemorated the debuts of Blur and Dire Straits. It joins an ever-increasing list of Squeeze accolades alongside their recent Ivor Novello for Outstanding Contribution to British Music and their Nordoff-Robbins Icon Award and the Mojo Icon Award.

Chris Difford and Glenn Tilbrook have survived everything over the years, from the ever-changing musical landscape to their own internal reshuffles and acrimonious breakups – still going strong and still loving every moment.

DUE TO OVERWHELMING DEMAND SQUEEZE ADD A SECOND DATE AT DLWP!

It’s 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed ‘The New Lennon and McCartney’. Nearly 50 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK’s music scene.

As teenagers on the South London scene, Squeeze – setting out their stall early on by facetiously naming themselves after a poorly-received Velvet Underground album, and at the time also comprised of Jools Holland on keys, Harry Kakouli on bass and Paul Gunn on drums – became a fixture of the burgeoning New Wave movement. When Gilson Lavis replaced Gunn on drums everything seemed to fall into place, and word of mouth soon spread about the band – ironically, it was none other than Velvet Underground man John Cale who caught wind in 1977 and offered to produce their debut EP ‘Packet Of Three’ and much of the ensuing album.

Yet it was second album ‘Cool For Cats’, released in 1979, which cemented their place as one of Britain’s most important young bands. Featuring the classic single ‘Up The Junction’ as well as the title track, it was many listeners’ first introduction to the witty kitchen-sink lyricism and new-wave guitar music that has become the band’s trademark. With albums ‘Argybargy’ and the Elvis Costello-produced ‘East Side Story’, Squeeze even started to make waves across the pond, although in 1980 former Roxy Music and Ace – and future Mike + The Mechanics – man Paul Carrack would replace Jools Holland, going on to lend his unmistakable vocals to the smash hit ‘Tempted’.

In 1982 Squeeze had disbanded. The chemistry between Tilbrook and Difford could not be as easily dismissed however, and the ensuing record they made together in 1984 has become the “lost” Squeeze album for many fans. But the band couldn’t lay dormant for long, as Squeeze reformed the next year for ‘Cosi Fan Tutti Frutti’, along with Holland, Lavis and Keith Wilkinson, Squeeze’s longest serving bass player. Over the next 14 years Difford and Tilbrook remained the only constant element as Squeeze continued to receive critical acclaim, release albums and tour, with the likes of ‘Hourglass’ becoming their biggest ever hit in the USA.

Despite an official Squeeze break-up in 1999, Difford and Tilbrook continued to make music and gig with the same enthusiasm and abandon that they brought to Squeeze’s first EP, either with their own solo projects or with each other. Chris Difford has released three solo albums to date, and toured the country several times with his unique one man show – while Glenn Tilbrook, meanwhile, has also released three solo albums, with 2009’s ‘Pandemonium Ensues’ heralding the debut of his other band The Fluffers and saw him recording with Johnny Depp and Vanessa Paradis. He too has toured relentlessly with The Fluffers, and most recently has recorded an album as “The Co-Operative” with blues veterans 9 Below Zero.

Charitable work also plays a large role in their lives – Tilbrook has also been an active member of the Love Hope Strength Foundation, which sees him join fellow musicians such as founder Mike Peters (The Alarm), going on treks and climbing some of the globe’s greatest landmarks in order to raise money to help treat cancer sufferers throughout the world. Difford meanwhile spends many hours working with recovering addicts and alcoholics in prisons and rehab centers, with musical workshops, performances, and by telling his own inspirational life story. Chris like Glenn has released his own solo work most notably with Francis Dunnery on the much-acclaimed album I didn’t get where I am.

As befits one of the UK’s much-loved acts, there is no end of Squeeze fans currently wearing their influences firmly on their sleeve, whether it be Mark Ronson, Kasabian, Supergrass, Lily Allen, The Feeling or Razorlight. With their fingerprints keenly felt throughout the fabric of popular music, it is only right that these songs, with their evergreen and popular sound, continue to be played and enjoyed live. And so since 2007, a newly reformed Squeeze have been slowly finding time to play a series of gigs and festival dates, preferring to reaffirm their abilities as a band rather than follow some of their peers who have come out in a blaze of publicity, only to be met with disappointment.

The new Squeeze line-up, their most able yet, is completed by Simon Hanson, Stephen Large, Steve Smith, Melvin Duffy, Sean Hurley, and Owen Biddle and has become an instant favourite on the festival circuit, with appearances at V, Oxegen, T in the Park, Womad, Latitude, and Coachella to name a few.

Squeeze’s contribution to music has been noted in 2010 with the site of their first gig being awarded a prestigious PRS For Music Heritage Plaque, which has so far commemorated the debuts of Blur and Dire Straits. It joins an ever-increasing list of Squeeze accolades alongside their recent Ivor Novello for Outstanding Contribution to British Music and their Nordoff-Robbins Icon Award and the Mojo Icon Award.

Chris Difford and Glenn Tilbrook have survived everything over the years, from the ever-changing musical landscape to their own internal reshuffles and acrimonious breakups – still going strong and still loving every moment.

Michelle Antoinette Wallen, MBE (born 27 April 1969), known professionally as Mica Paris, is a British singer, presenter, broadcaster and actor. She was born in Islington in North London, and moved to Brockley, South London, when she was nine

Mica grew up singing in her grandparents' church, and by her mid-teens was making regular appearances with The Spirit Of Watts gospel choir, with whom she featured on the 1985 EP Gospel Joy. At the age of seventeen, she became a backing vocalist with the UK band Hollywood Beyond. Mica appeared on their album, “If” in 1985

Mica Paris is one of the UK’s finest and most respected singers with a long career of hit singles and albums marking her out as the undisputed British Queen Of Soul

Signed to the 4th & Broadway label on Island Records at the age of eighteen, the range, power, soul and deep emotion in Mica’s singing voice made an immediate impact on the UK music scene in August 1988 when she released her debut album, the platinum selling “So Good”. The album included her first Top 10 hit “My One Temptation” which peaked at #7 in the UK charts as well as a collaboration with jazz saxophonist Courtney Pine on “Like Dreamers Do” and “Breathe Life into Me”, both Top 30 UK hits. This was followed by a duet with US soul singer Will Downing on the classic Roberta Flack and Donny Hathaway song “Where Is The Love” which broke the UK Top 20

The follow up album ”Contribution” was released in October 1990, again on the 4th & Broadway label. This extended Mica’s soul and gospel influences to bring in hip-hop and house music and featured the track "If I Love U 2 Nite”, written by Prince and recorded at his Paisley Park studios. With Omar, a classically trained musician, Mica recorded "I Should've Known Better" in 1990. It was issued on the B side to "South Of The River" and later re-recorded for inclusion on 1998’s “Black Angel” album 

Mica performed “Blowin’ In The Wind” with Anita Baker, Bonnie Raitt and Natalie Cole at the ‘Nelson Mandela: An International Tribute For A Free South Africa’ event at Wembley Stadium on 16th April 1990, held two months after Mandela’s release from prison in South Africa. Mica provided the title track to Isaac Julien’s “Young Soul Rebels” film soundtrack the following year. She also worked with the saxophonist Courtney Pine again on "Redemption Song" (1992); the Stereo MC’s on "Don't Let Up" (1992; and Bobby Womack on "I Wish I'd Never Met You" (1991)

Before the release of her third album in 1993, Mica took to the theatre stage for the first time starring in two West End shows, ‘Mama I Want To Sing’ and ‘Sweet Lorraine’ 

Mica’s third album “Whisper A Prayer” was released in June 1993 on 4th & Broadway and included the singles "I Never Felt Like This Before" and "I Wanna Hold On To You", as well as "You Put A Move On My Heart" which was later recorded by Tamia in 1995 on Quincy Jones’s “Q Jook Joint” album. This was followed by further collaboration work on music with Guru on his “Jazzmatazz: The New Reality” album ("Looking Through Darkness", 1995); Mark Morrison ("Tears For You", 1996) and Maxwell ("Mantra", 1996)

Mica released her fourth album “Black Angel” on EMI’s Chrysalis label in August 1998. It contained a cover version of U2’s “One", and a duet with James Ingram, “Love’s Gone”. “Black Angel” produced two more singles in "Stay" and 'Carefree". More collaborations followed with Omar ("Confection", 1994); Max Beesley ("High Vibes", 1994); Dubversive ("Police & Thieves",1998); the “Mobo All Stars” compilation album in 1998; Mister Exe ("One Million Smiles", 1998); Prince ("Just My Imagination", 2000); and Boy George ("I Could Be Someone", 2000). A collaboration with David Gilmour and Jools Holland on the Screamin’ Jay Hawkins track "I Put A Spell On You” followed in 2001. The trio have regrouped on several occasions to perform the song

Two years later, Mica performed on the title track of the Walt Disney / Touchstone Pictures soundtrack for High Heels And Low Lifes, which was later included on the soundtrack compilation album in 2001. In 2003, Mica released the Moby sampling "Heart" with Seraphim Suite. She contributed vocals to the track "I Don't Understand" on Milk & Sugar’s album “Housemusic.De”. 2004 saw Mica feature as a guest on The New Inspirational Choir's album “Inspirations” along with Keisha White and Jocelyn Brown. In October 2004, Mica also took part in the UK tour of the stage play ‘The Vagina Monologues’

In 2005, Mica released the album “If You Could Love Me” on Wounded Bird Records, featuring backing from the Brecker Brothers on the title track, with executive producer Andreas Neumann and producer Bernard Grobman. Also in 2005, she released the album “Soul Classics”, with executive producers Rick Blaskey and Andreas Neumann. Mica collaborated with Lemar on the track "Can't You See" on his album “The Truth About Love” in 2006, and in February 2008, she released the duet "Secret Lovers" with Alexander O’Neal. This was followed by a residency at the Indigo 02

In June 2009, she released her sixth studio album “Born Again” as an independently distributed artist. She embarked on a nationwide tour, which included dates at the Jazz Cafe in February 2009, to showcase the material. The album was produced by Brian Rawling with James Morrison contributing Mica’s first single "Baby Come Back Now". The second single, "The Hardest Thing", was remixed by Stonebridge, Almighty and 2Darc. The title track "Born Again" was the final single released from the album

At this point in her career, Mica turned her talents back to London’s West End. An incredible live performer, she stole the show at the Royal Albert Hall’s All Star Tribute to Dusty Springfield concert in aid of Macmillan Cancer Support on 5th May 2011. This was followed by two long runs in theatre shows with the UK tour of the musical ‘Love Me Tender’ in the summer of 2015 and more recently for eighteen months through to 2020, the lead role of Miss Sherman in the London West End production of ‘Fame’ to great acclaim and rave reviews

In between these two runs in the theatre Mica recorded a two-track single featuring “Ev’ry Time We Say Goodbye” and “Imagine My Frustration” in honour of Ella Fitzgerald with the Guy Barker Orchestra in 2017 followed by a series of sell out concerts later that year

In August 2020, BBC4 broadcast a special one-off documentary titled ‘Gospel According To Mica – The Story Of Gospel Music In Six Songs’. Straight from completing her run in ‘Fame’ at the Peacock Theatre, Mica had flown out to the US to film the documentary earlier that year. Presented by Mica as her own personal journey, the programme charted the history of gospel music through ground-breaking songs from “Amazing Grace” to Stormzy’s “Blinded By Your Grace Part II” going back and revisiting the origins of the songs and finding out why some of her contemporaries have returned to their gospel roots. The documentary inspired Mica to record her first album in over ten years once signed to Warner Music’s eastwest label and was recorded within a few weeks, with production by Brian Rawlings at his studio and the British Grove Studios where the contribution of the Soul Sanctuary Choir was recorded. Preceded by the new original song “Mamma Said”, inspired by Mica’s grandmother who first encouraged her to sing in church, and the Labi Siffre song “(Something Inside) So Strong”, the album titled “Gospel” was released on 4th December 2020 to critical acclaim across the board and #1 in the UK R&B Album charts. The album also features another new original song “The Struggle”, telling the story of Mica’s meeting with Gladys Knight, as well as spellbinding versions of Rag ‘N’ Bone Man’s “Human”; John Newton’s hymn “Amazing Grace”; Foreigner’s “I Want To Know What Love Is”; and U2’s “I Still Haven’t Found What I’m Looking For” 

Dave Gorman: Powerpoint To The People

Dave Gorman, the man behind Dave TV’s hit show Modern Life Is Goodish as well as Are You Dave Gorman? and Googlewhack Adventure, is back on the road with a brand new live show, Powerpoint To The People

The 'high priest of the comedy Powerpoint talk' (The Times) is touring again - as much as anything to demonstrate that a powerpoint presentation doesn't have to involve a man in a grey suit standing behind a lectern and saying 'next slide please'. We've all had enough of that, so let's put it all behind us and never speak of it again - there are far more important things to analyse. Well... they're more important in Dave's head anyway.

‘Hugely entertaining’ ★★★★
The Times

‘Gorman creates real magic from the unlikeliest of sources’ ★★★★
The Mail on Sunday

‘Beautifully constructed’ ★★★★
The Arts Desk

‘Exquisitely constructed show from a comic who is at the top of his game’ ★★★★
The Evening Standard

Today, Tom Odell has released his stunning new single ‘Best Day Of My Life’ via independent label, Mtheory / UROK. The single is accompanied by an equally beautiful official music video, created by director Manshen Lo (Sally Rooney), animated by Duncan Gist and produced by Nexus Studios

Having fulfilled his major label record deal in 2021, Tom began to look ahead to a new era, a new way of working, and embarked on an independent new chapter of his acclaimed career that sees him reclaiming control and taking back the reins of his artistry.

‘Best Day Of My Life’ marks the first single of that new chapter. Perhaps one of the most poignant songs he’s ever written...

Singer, songwriter and musician, Tom Odell was propelled straight to the forefront of the mainstream when his debut EP, Songs From Another Love, was released in 2012, catching mass attention and leading him to win a BRITs Critics’ Choice Award in 2013 and a place in BBC’s coveted Sound Of list. Later that year, his platinum-selling debut album Long Way Down was released to critical acclaim and went straight to #1 on the UK Albums Chart. Rightfully praised for his songwriting prowess, in 2014 Tom won the prestigious title of Songwriter Of The Year at the Ivor Novello Awards before his stunning cover of The Beatles’ ‘Real Love’ accompanied the highly anticipated and long-cherished John Lewis Christmas advert. Tom went on to release his second studio album, Wrong Crowd, in 2016, which charted at #2 and is BPI certified Gold, and his third studio album, Jubilee Road, was released in 2018.

Tom’s dedicated work ethic became an obsession that culminated in crippling anxiety, leading to a dark period of mental health that Tom wrote his way through. These broader lyrical horizons needed to be matched by a musical expansion, coming in the form of his genre-bending 2021 fourth studio album, Monsters, the final album to fulfil his major label record deal with Columbia Records. The album’s DIY and electronic sound was crafted in a threadbare way using instruments he had to hand during the height of the pandemic like Moog synths - a move underpinned by both necessity and a desire to explore. Now an independent artist, free from the constraints of a major label, Tom Odell has stripped things back.

Armed with a newfound sense of freedom and creative control, this new era of Tom’s career sees him take focus off hooks and strategy and instead create an environment where his audience can sit with the music and breathe. The result is a work of minimalist beauty, comprising just Tom’s voice, a piano and the occasional creak of a stool.

Don't miss this prestigious one-off solo show this September...

Atom in association with Avalon presents

Al Murray The Pub Landlord: Gig For Victory 

Brand new show 

London, 6th October 2021 – It was announced today that Al Murray, The Pub Landlord will embark on a brand-new UK tour for 2022.

As the dust settles and we emerge blinking into the dawn of a new year, the men and women of this great country will need answers.  Answers that they know they need, answers to questions they never knew existed.

And when that moment comes, who better to show the way, to provide those answers, than the people’s man of the people, the Pub Landlord? Steeped in the deep and ancient barroom wisdom of countless lock-ins, the Pub Landlord is there to show the way.  Wherever you are, he will – within sensible travel limits and theatre booking policy – come, offering people thirsty for common sense a full pint of the good stuff.

For over 20 years Al Murray, The Pub Landlord has filled the most prestigious venues around the UK, including London’s 02 Arena and the iconic Royal Albert Hall.  He has won numerous awards, hosted many critically acclaimed television shows, and in 2015 famously stood for election in the hotly contested seat of South Thanet. Tickets will be on general sale at 10am on Friday 8th October.  All dates at: www.thepublandlord.com

‘Stand up Gold’ - The Guardian 

‘A supremely polished performer’  - Mail on Sunday

★★★★★

‘Wickedly witty Stuff’ - The Telegraph

★★★★

After experimenting with a Zoom gig where he got muted by 639 people and a Drive-in gig where Omid witnessed an audience member get out his car, attach a hose pipe to his exhaust and feed it through the window; multi award-winning comedian and actor Omid Djalili is now where he belongs, on a stage and bringing back the Good Times.  

Intelligent, always provocative, entertaining, Omid’s legendary stand-up performances is a captivating comedy masterclass. His credits range from Hollywood films to television and the West End stage. Earning praise across the world for his performances, Omid is seen hosting his own ITV quiz show The Winning Combination. He appeared in the smash hit Mama Mia 2: Here We Go Again, His Dark Materials for BBC1 & HBO, and Letter For The King on Netflix. Omid also gained rave reviews for his leading role of Tevvye in the Chichester Festival Theatre production of “Fiddler On The Roof”.

“So hysterically funny and at the same time so poignant and powerful that calling it stand-up barely does it justice.” - Michael Levin, Huffington Post

"A thin, high cheek-boned, flamboyant luvvie.” - The Guardian

After a sell-out tour of his house in 2020 (extended into 2021 due to popular demand), Ol’ Broken Pancreas is charged up and ready to flick the switch on another night of attention seeking.

Co-host of the award-winning mega-hit podcast Off Menu with James Acaster, Taskmaster champion, and has his own special Blood Sugar available worldwide on Amazon Prime.

As seen and heard on Mock the Week (BBC2), Live At the Apollo (BBC), The Russell Howard Hour (Sky), QI (BBC2), Would I Lie To You (BBC) and Sunday mornings on Radio X alongside Matthew Crosby.

“an ability to open his mouth and spontaneously say something hysterically funny” 

James Kettle, The Guardian

“he is on irresistible form”

Rupert Hawksley, The Telegraph

“a seriously strong show…Gamble is a powerful, compelling orator” 

Paul Fleckney, Chortle

“a hugely likeable performer…an excellent comic”

Paul Whitelaw, The Scotsman

“Superb stand-up” 

Ben Williams, Time Out

+ Support from Chloe Petts

Chloe Petts’ “inexhaustibly funny mind” (Diva Magazine) and “compelling presence” (Steve Bennett, Chortle) has established her as one of the most exciting new acts on the circuit. Chloe is an alumna of the prestigious Pleasance Comedy Reserve, has been shortlisted for the BBC Comedy Award, was a finalist in the most recent Leicester Square New Comedian of the Year Awards and came runner-up in the Funny Women Awards 2017. She has appeared on Channel 4’s Random Acts and BBC 3 Quickies. She is a co-founder of The Lol Word, a queer comedy collective that hosts sell-out monthly London nights, boasting the finest female and non-binary queer acts on the circuit. Their most recent Edinburgh run was a sell-out. Diva Magazine has described it as “a space that is demographically queer, inclusive, and safe, and on top of all of that – the comedic talent is smart, insightful, hilarious, and completely relatable.”

After almost two years, Example makes his highly anticipated return to UK stages this coming January through February. Prepare yourself as he embarks to bring his high-energy performance across 14 dates. Relive every hit and even more new bangers, including his recent hit single 'Every Single Time ft. What So Not & Lucy Lucy' in his first cross country tour since his SOLD OUT jaunt in 2020. Don’t miss your chance to see this legend in action once again, get your tickets now.

On the brink of releasing his eighth album, Example is beginning a new chapter. Having spent well over a decade in the game, the UK mainstay has crafted a career drenched in accolades: Platinum albums, chart-topping singles, headline festivals slots, and a lengthy stint releasing inescapable anthems that bridge the gap between electronic, rap and pop. Still, Example isn't ready to hang up his boots just yet; rather, he's preparing for the most important release of his career.


The first taste of that album comes via 'Every Single Time', a single that features one of Australia's most acclaimed producers, What So Not. The release builds off Example's rich history down under, a country that he now calls home. In past years, he's headlined events like Stereosonic alongside Avicii and Calvin Harris, Groovin The Moo, Parklife and opened for Drake at the last ever Future Music Festival. Example was the first artist to bring Peking Duk on tour whilst going Platinum with his single 'Changed The Way You Kiss Me' in 2011. "There's all this rich history of me being in Australia. I now live here, my kids live in Brisbane, my wife's from here, so we want to retell that story," he says.


'Every Single Time' explores the impact that songs have on people's fondest memories, with Example's vocals gliding over nostalgic production that builds into a glitchy, chopped drop. "Fans always say to me, 'Oh my God, your song reminds me of the first time I lost my virginity, your song reminds me of the time I took my first pill, your song reminds me of the time I kissed my wife.' And that got me thinking about the concept of what songs mean to people," he says. With the benefit of hindsight and a few more years of wisdom, Example discusses what it means to grow older, especially when you've sworn by the Sex, Drugs and Rock & Roll mantra.

+ Majestic Presents: Plain Old Kev + Local + Adorable Demonz + Beyond Chicago

They’ve had their own TV special at the London Palladium, they have an iTunes-chart-topping podcast and now they’re touring the country; it’s the one and only Horne Section’s one and only 2021 Tour.

Following their hit BBC Radio 4 series, their own TV Special at the London Palladium, appearances as house band on Save Our Summe,r Crouchy’s Year Late Euros and The Last Leg, an iTunes chart-topping podcast and many years of sell-out shows at the Edinburgh Fringe Festival and London’s West End, don’t miss everyone’s favourite Dictionary Corner regulars on 8 out of 10 Cats Does Countdown and the first band to ever host Never Mind The Buzzcocks.

Five outstanding musicians, one non-musical stand up, there’ll be comedy, songs, enthusiastic dancing and a lot of mucking about. A unique show from the hugely talented band and Alex Horne, the creator and co-host of The Bafta and Emmy nominated Taskmaster, which won Best Entertainment Show at last year’s Broadcast Awards.

★★★★★  

‘We can’t recommend The Horne Section highly enough’ 
Time Out 

★★★★★ 

‘An absolute blast’ 
Metro